Product Description

Samantha (known as Sam) is a fisherman’s daughter who dreams rich and lovely dreams--moonshine, her father says. But when her tall stories bring disaster to her friend Thomas and her cat Bangs, Sam learns to distinguish between moonshine and reality.

Product Details

• Amazon Sales Rank: #51190 in Books
• Published on: 1971-05-15
• Original language: English
• Number of items: 1
• Dimensions: .17" h x 7.25" w x 10.00" l, .31 pounds
• Binding: Paperback
• 48 pages

Features

• ISBN13: 9780805003154
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Review
"An outstanding book." --School Library Journal
-- Review

Customer Reviews

They don't want moonshine, Sam I am
Not, as you might think from the title, about Uncle Sam, fireworks, and illegal hootch. Instead, this book examines a girl and her inability to face up to the harsh realities of her life. A 1967 Caldecott winner, "Sam, Bangs, and Moonshine" follows Samantha (commonly known as Sam), her cat Bangs, and her extraordinary imaginings that inevitably lead to a heap of trouble. A tale that is simultaneously quiet and riveting, the multitalented Evaline Ness wrote a book that examines, in a roundabout way, how the death of a parent can change a child's very perceptions.

Sam and Bangs live in a fishing community, where her father works with the other men at sea. Prone to telling tale of gross exaggeration, Sam is warned repeatedly by her father not to tell "moonshine" (as he refers to her tales and stories). One day, Sam's father encourages her to go a whole day without indulging in moonshine, and then he's off. While gone, Sam's younger friend Thomas arrives to inquire after her supposed pet of a baby kangaroo. Every day Thomas asks to see the pet, and every day Sam tells him that it just left and where Thomas can go to find it. On this particular day Sam sends the boy to a "cave behind Blue Rock". As Thomas leaves Bangs remarks (as the wise old cat was wont to do) that the tide rises early at Blue Rock that day. Sam doesn't wish to have anything to do with the matter so Bangs goes himself to find Thomas. When the rain begins to fall heavily and neither Thomas nor Bangs return, Sam gets a rude awakening as to the extent to which moonshine can harm the ones she loves.

The book ends happily, I assure you, but there are some harrowing moments. The scene in which Sam sobs against her father's chair, her dad sitting with his back to her and his face sorrowful and long, is heartwrenching. I really did feel that the book was a cut above the other picture books out there on a variety of different levels. The story is exceedingly well written. In the climax of Sam's self-discovery, she sits in bed pondering (at her father's suggestion) the difference between real and moonshine. "Moonshine was a mermaid-mother, a fierce lion, a chariot drawn by dragons, and certainly a baby kangaroo...Real was no mother at all. Real was her father and Bangs. And now there wasn't even Bangs". Here we get a glimpse into what makes Sam tick. Her mother died long ago, leaving her little daughter to pretend that it was not so. What child could easily face her mother's death at such a young age? Sam is undoubtedly not the first child to pretend such glorious things when she is blue.

Ness's story is remarkable, but her illustrations are really what gave this book the attention it deserved. Ness was a commercial artist at one time, and her pictures are an amazing mixture of print, pen and ink, and a four-color pallet of blue, maroon, navy, and mustard. She is simultaneously realistic and fantastical. Also, she has drawn the most lifelike cat I've seen in a book in a long long time. Bangs is spot on. I can only assume that Ness used a real cat as a model, so well done is the feline.

Altogether "Sam, Bangs, and Moonshine" is a beautifully laid out piece of, to my mind, relative obscure material. Only its Caldecott Medal status has kept it in the public eye for as long as it has. This is a bit of a shame when you consider how great the book is when discovered. Should you happen to have a child that is prone to extravagant imaginings and lurid tales, this may be the book for them. Should you happen to have a child that lost a parent at a young age, this may be the book for them. And should you happen to have a child period, this may be the book for them. It's an excellently written picture book that fully deserves both its credit and its praise.

A Telling Tale
Sam (Samantha) is a young lady whose father is a fisherman on a small island. Her mother is dead, and she is close to her cat, Bangs, who mentally serves as her surrogate parrent when her father is gone on his boat. Being a little lonely, she has an active fantasy life. Those imaginings creep out into her conversations. "Not even the sailors home from the sea could tell stranger stories than Sam."

Her father is concerned about this, and asks her to talk "REAL, not MOONSHINE. MOONSHINE spells trouble." "Sam promised."

The only problem was that she would slip a bit. Thomas believed everything she said. What could happen as a result?

This book won the 1967 Caldecott award for the best illustrated children's story. You will find that the black and brown outlines and washes contrast with white to create stark and emotionally laden images. The heaviness of losing her mother weighs on the reader as well as on Sam. When problems loom, the coloring becomes darker and stronger. You will feel like powerful music is playing in the background. There is an operatic quality here with story, lines in the illustrations, and illustration coloring echoing one another to heighten the effects.

The story itself is the best one I have seen for examining the issues around fantasies imagined by children. Nice distinctions are made between internally experienced and externally verbalized fantasies, and also between dangerous and nondangerous ways of verbalizing.

We all love a good story, so you don't want to banish your child's imagination totally. This book should help you to channel that imagination more constructively. The example in the book is so extreme that most children will see the lesson easily, without feeling that the story is aimed directly at them.

Unlike most children's books, this one has a lot of drama and emotion to it. Although simply written and illustrated, it contains the elements of a grander story of the sort that adults would love if garbed as a full-scale novel. I kept thinking about how Stephen King would have done a treatment of the same story for adults.

After you read this modern version of Aesop's Fables, consider how else you can use fictional stories to convey important lessons to those you love and care about.

Communicate with the best interests of the listener or reader in mind!

An excellent example of harmony of illustration and text
It is easy to see why this book, Sam, Bangs, & Moonshine, written and illustrated by Evaline Ness, is a winner of the Caldecott Medal. The illustrations correspond well to the content of the story. The story takes place on a small island where Sam, the main character, whose full name is Samantha, lives with her father. Her father is a fisherman. The illustrations show Sam to be a lovable young girl, whom readers will adore. Her father shown as a stern but lovable figure. The illustrations and text complement each other to make each character spring to life, even the wise old cat, Bangs. The illustrations transmit the feeling of the island harbor environment; raw and rough, one can almost sense the saltwater air through the pictures. They help to set the mood of the story, as well as bring the setting to life. It is rare to see such illustrations that tell the story almost better than the text itself, but together the text and illustrations are in perfect harmony. Sam is a mischievous young girl who has trouble telling what is "moonshine" and what is "real." The plot will appeal to children who also sometimes have trouble telling the difference between the real world, and the world of their own imaginations. Parents will find this to be a helpful book in dealing with children who need help with the concept of truth. Readers of all ages will find themselves worrying along with Sam, as I did, about the consequences of her "moonshine," and will sympathize with her plight. This is a delightful book with a good message, it is important to tell the truth.