Product Description

Imagine you live in a small Kenyan village, where the sun rises over tall trees filled with doves. You wake to the sound of a rooster's crow, instead of an alarm clock and the school bus. Your afternoon snack is a tasty bug plucked from the sky, instead of an apple. And rather than kicking a soccer ball across a field, you kick a homemade ball of rags down a dusty road. But despite this, things aren't that different for a Kenyan child than they would be for an American kid, are they? With so much going on around you, it's just as easy to forget what your mama asked you to do!

Product Details

• Amazon Sales Rank: #197243 in Books
• Published on: 2006-01-03
• Original language: English
• Number of items: 1
• Dimensions: .41" h x 11.34" w x 10.80" l, 1.18 pounds
• Binding: Hardcover
• 40 pages

From School Library Journal
Starred Review. PreSchool-Grade 3–Through vivid, descriptive text that highlights the Kenyan countryside and culture, this story about one day in the life of a Kalenjin boy unfolds. Roosters crow, and you wake one morning in the green hills of Africa, sun lemon bright over eucalyptus trees full of doves. The boy's primary chore is to take his grandfather's cows to the pasture and watch them carefully. However, once he gets them there, he slips away to see who else is awake. From then on, he keeps getting distracted by one thing or another. When he finally looks to where the cows should be, they are not there. His expression is forlorn as he ponders, Why did you wander? Why didn't you stay and do the job Mama gave you today? When he meets his grandfather leading the cows on the path home–something he should have been doing–the youngster is contrite. Grandfather simply hands him back his cow switch and says, Twende nyumbani sasa–Let's go home now. The brilliant, colorful, and humorous illustrations stand out against the white backgrounds and are large enough for group viewing. A gentle story about family, responsibility, and a curious little boy.–Mary N. Oluonye, Shaker Heights Public Library, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
PreS-K. "Roosters crow and you wake up in the green hills of Africa." Short, poetic phrases, filled with sensory images, describe a young boy's day in a Kenyan village. He spends a "windy morning" herding his cattle, but his attention gradually wanders to his neighbors at the tea stand, to the village chief's wood shop, and so on, until he forgets his herd altogether. Luckily, the boy's grandfather comes to the rescue. The rhythmic, repetitive language winds the day's activity to a graceful, bedtime close and roots the simple story in Kiswahili phrases and cultural details--from the boy's breakfast of maize porridge to the chief's ceremonial stick. Juan's color-saturated, slightly stylized paintings bring the lush landscape and friendly community to life and expand the sense of a child's freedom and belonging. More specifics about the child's tribe appear in a brief author's note. Suggest this as a story hour choice for kindergarten units about neighborhoods and homes. Gillian Engberg
Copyright © American Library Association. All rights reserved

About the Author
Kelly Cunnane lived in Africa for many years but now resides in Beals, Maine. This is her first book for children.

Ana Juan is the illustrator of Elena's Serenade, which School Library Journal, in a starred review, called "a fascinating adventure that explores issues of gender roles, self-confidence, and the workings of an artist's heart." Her paintings have appeared on the cover of the New Yorker, on book and album jackets, on film festival posters, and in several European magazines. She is also the illustrator of Frida by Jonah Winter and the author and illustrator of The Night Eater. She lives in Madrid, Spain.

Customer Reviews

Incorrect Swahili
I am a Kenyan residing in the U.S. and my 10-year-old cousin also from Kenya just borrowed this book from the library and ran to me saying some of the Swahili was wrong. I went through the book and was in total shock by the way the author had totally used words that were out of context.
First, I'd like to commend her for writing a book about a Kenyan village and to state that the illustrations are quite good. I am sure she had the purest of intentions when writing it.
I cannot claim to have flawless Swahili but having learned and spoken the language since childhood, I can easily identify mistakes.
It is unfortunate that there are thousands of children out there reading incorrect Swahili.
Her father says the following:
"It is bad that she has placed the wrong meaning of Swahili words in the English context and she ought to have consulted a Swahili scholar or native speaker (a Tanzanian/Kenyan) so as to write the language correctly.
No book would be published in English with incorrect spellings and context and we hope that measures will be taken to correct these errors."
We also believe that the publisher has an obligation to ensure that the books they sell which are geared to millions of people/children are correctly edited by native speakers/scholars of the respective foreign languages.

Some mistakes found in the book include:
Una taka chepati? = Unataka Chapati?
* Chapati is not a pancake, it is a type of flat-round-bread with its origin in India
Jambo, Mzee - Mzee means an old man/elder not exactly respected one as stated
* Mheshimiwa means respected one
Una taka shika rungu (fly-whisk)? = Unataka kushika rungu?
* A rungu is a club, not a fly-whisk, not sure what a flywhisk means in Swahili
Una taka maziwa lala? = Unataka kunywa maziwa lala?
* Maziwa lala is not sleeping milk but cultured milk/Natural yogurt
Una taka ndudu? = Unataka mdudu/dudu?
Una taka cheza? = Unataka kucheza?
Kabisa means completely/totally but not `of course' as implied

Most of the people I have spoken to including my friends are in total shock at the incorrect use of Swahili. It isn't right.
Once again, we are grateful that such a book exists but hope that the errors will be corrected.

An Adventure for Kids That Parents Will Enjoy, Too
Ever wonder what it's like to grow up in a little village in Kenya? Kelly Cunnane, a former Peace Corps volunteer in that country, tells the charming story of a little boy who is supposed to be tending his grandfather's cows when... well, there are so many other interesting things to do! You'll learn a little Swahili following him on his adventures ("Jambo!") and find out what happens when the cows come home. The colorful illustrations by Ana Juan are perfect for the story. I would definitely recommend this as a fun way to broaden a child's horizons.

Juan. Not wan.
Essentially I've come to the conclusion that Ana Juan could come to my home and hit me over the head with multiple frying pans and I would STILL worship at her feet. You know that fantasy everyone has where a famous children's book illustrator walks up to you one day and says, "I made this incredibly beautiful painting, pre-framed, just for you"? You don't have that one? Well I do. And the illustrator in question would be Ana Juan. My goodness me, how that woman can paint. From her Fellini-esque, "The Night Eater" to the biography of "Frida" that only SHE could have illustrated, Juan is consistently brilliant in whatsoever she chooses to do. So when first-time picture book author Kelly Cunnane found that, "For You Are a Kenyan Child" was to fall into the creative hands of Juan, one can only imagine her response. The pairing of an artist who's picture book work, prior to this title, has been almost solely fantastical with a playful but realistic author makes for a unique book. One that reads as well as it looks.

A child wakes in Kenya, "in the green hills of Africa, sun lemon bright over eucalyptus trees full of doves", to herd his Grandfather's cows. He's instructed by his mother to watch them carefully, but the cows won't mind if he slips away for a moment to see who else is up and about, will they? There's Bashir who bakes some pancakes in the morning, and the great black monkeys that perch in the trees. There's the village chief who is carving a magnificent lion and Grandmother who offers "sleeping milk, sweetened with crushed charcoal, fresh from the gourd". Distracted further by friends and playmates the boy finally makes it back to the field . . . but the cows are gone! Grandfather has come for them, and though all he says is, "Let's go home now", it's clear that the boy has been chastised. Home they go and everyone falls gently to sleep, "like you, like us".

No offense to Ms. Juan, but there have been times when her stories did not match the beauty of her pictures. Campbell Geeslin's, "Elena's Serenade", was a good idea for a tale, but the text itself was stilted and off-putting. That's a danger that never comes up when you're reading Cunnane's words. First of all, she's taken the gutsy idea of writing the book in the second person. I'm sure that other children's book writers have done this in the past, but none are coming to my mind. The whole book is telling the child reader exactly what "you" are doing at this moment in time. It's fabulous. Using the conceit of a playful child visiting everyone in his village, the book is also able to visit all kinds of denizens of this small Kenyan village. The tone is a playful one, imparting information about Kenya so seamlessly within the text that you never feel you are "learning" anything. Rather, it all flows together in a beautiful logical fashion.

And then there's the factual information. In a small section at the front of the book, so out of the way that you wouldn't necessarily know to look for it, there is, "A Note About the Text". In that space Cunnane explains a great deal about Kenya itself, its languages, and common terms of greeting and response. She then follows this up with a Glossary of words with a pronunciation guide to boot. This was all mighty informative information, but what the heck was it doing on what should have been the publication page? The publication information, more baffling still, is instead at the back of the book. Under normal circumstances this situation would be switched. A child would finish reading the book and then their parent would show them the Note About the Text and the Glossary for further information. Why the publisher inanely switched the two is baffling. Now we've critical info hidden obliquely at the front of the book where few would think to seek it out. Bad, Antheneum! Bad!

Finally, there are the pictures. Juan has filled her illustrations with all the emotion and color best befitting a tale of this sort. The hero, a wide-eyed child of irrepressible energy, is followed perpetually by a similarly big-eyed bushbaby. Kids could play "spot the bushbaby" with this book if they wanted to. It certainly does appear to pop up in every pic. The full range of Juan's talents are put to the test with this book. From the sprinkled flour on a tabletop to the silky hairs on a great black monkey's tail, textures seem to leap out at the viewer. And, as always, each painting is imbued with an odd inner light. They glow and pulse with deepening shades and tones. Best that you see it first-hand to appreciate it.

Should you wish to pair this Kenyan tale with a picture book, set in the Cameroon, of equal beauty, consider reading both, "You Are a Kenyan Child" alongside Lloyd Alexander's, "The Fortune-Tellers", for a truly eye-popping storytime. Altogether, this is a gorgeous tale, easily one of the most beautiful you'll find. A necessary addition to any and all library shelves. Top drawer.